I've long loved the work of Paul Nash. His poignant war paintings never fail to move me. My favourite is this one:
Monday, 11 November 2024
Void of war
Wednesday, 30 October 2024
I went to Arles and discovered an artist
As you wander the streets of Arles, echoes of the past are with you always. It's like no other place I've ever been. Like much of France it has a frayed beauty. Everywhere you look there is something interesting. A feast for the eyes. A crinkly smile comes to me as you look up at a quant building.
Van Gogh fell in love with the place; it's not hard to understand why. It's packed full of Roman and mediaeval architecture. So centre ville won't have changed that much since his time. There is a photograph around every corner, and I've probably taken that many. Here are a selection:
Tuesday, 2 April 2024
The Illusion of Ownership: Digital Art's Existential Quandary
You can't buy my art. It doesn't exist.
In a world where physical ownership is often equated with value, the realm of digital art poses a fascinating paradox—it exists, yet doesn't exist in the traditional sense. Schrödinger's art if you will. Unlike tangible artworks that occupy physical space, digital art challenges our notions of ownership and tangibility.
The essence of art lies in its ability to evoke emotions, provoke thoughts, and challenge perceptions. However, digital art blurs the lines between the tangible and the intangible. It resides in the digital ether, accessible with a click, yet elusive in its formlessness.
While we can admire digital art on screens, share it with others, and even purchase digital copies*, the notion of ownership becomes nebulous. Unlike a physical painting or sculpture that we can possess, display, and pass down through generations, digital art exists in a realm where replication is effortless, and originality is often questioned. This is what I so love about it. Art as a commodity is just bollocks.
The concept of scarcity, which underpins the value of many physical artworks, loses its footing in the digital domain. With the ease of duplication and distribution, the scarcity that drives traditional art markets is diluted, challenging the conventional mechanisms of valuation.
Moreover, the intangible nature of digital art raises questions about authenticity and authorship. In a world where digital manipulation is commonplace, distinguishing between an original work and a reproduction becomes increasingly complex.
Yet, despite these challenges, the allure of digital art persists. Its fluidity allows for experimentation, collaboration, and democratisation of artistic expression. Artists can transcend geographical boundaries, reach global audiences, and engage in dynamic interactions with their viewers.
Ultimately, the paradox of digital art lies in its ephemeral nature—it exists in the digital realm, yet its impact transcends screens and pixels. While we may not be able to possess digital art in the traditional sense, its influence on our culture, creativity, and imagination is undeniable.
In embracing digital art, we confront the evolution of artistic expression and redefine our relationship with the intangible. As we navigate this ever-changing landscape, we are reminded that the true essence of art lies not in its physical form, but in the emotions and ideas it inspires. It is the ultimate art!
I actually like the fact that my art does not exist. I like that it can only ever be printed as a copy if, for some reason, a physical copy needs to be displayed. I gave up trying to sell my art quite a while ago. I found the whole process of trying to hawk my wares to be a pain in the arse. Now I just make my art and if people get something out of it then that's good. If not then it doesn't greatly matter. Not being an artmonger is quite liberating.
Saturday, 10 June 2023
the Range Rover
Friday, 9 June 2023
Art is Magic
Monday, 19 December 2022
AI ART?
I always think that the idea that art is somehow precious is quite laughable. People treat art with far too much reverence. It's basically what has turned art into a commodity. Creating fictitious standards, competition in the art world and notions of good and bad art has played right into the hands of the money men. It's only art for goodness sake!
Everyone is an artist. You don't need a piece of paper to tell you that you are an artist. You don't need anyone's permission to be an artist. You just need to do it. The only values that art really have are the ones that the artist has in the joy of creating and to those that consider something to be art are the joy of viewing/experiencing a piece. These are the reasons why I hate the concept of NFTs and embrace AI picture generation. Art is in the eye of the beholder as Duchamp illustrated. Art is what you want it to be. All art is collage in one form or another. AI is just an automated way of creating collage. It's here to stay. I suggest you get over it and embrace it. Nobody will die from it. Lighten up folks.
Monday, 5 December 2022
Jesus on a unicycle
As a digital artist I’ve embraced technology where I’ve seen value in it and dismissed it where I can’t. I think some of you will be aware of my contempt and dismissal of the Emperor’s New Clothes that are NFTs. I've also been avoiding AI* in the main because I couldn't quite see how useful it might be. I do have one picture that I created a while back that includes some AI, thanks to my Twitter friend Trundle, but I've never really been tempted to take it any further. Then the other day I read an article in the Guardian about how artists are using AI to create art and I thought, perhaps now the time is right to delve a bit deeper.
Saturday, 26 March 2022
Wrong conclusions can be jumped to
Sunday, 16 May 2021
Going underground
What is art?
Wednesday, 12 May 2021
Magical menagerie
Monday, 12 April 2021
Doing art
Wednesday, 28 October 2020
I am Dada
”Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with radical left-wing and far-left politics.”
Wednesday, 26 August 2020
Hallo Spaceboy
Monday, 1 June 2020
One minute bemusement
Tuesday, 26 May 2020
Turner prize cancelled - Yay!
Monday, 25 May 2020
L7 - Please visit my exhibition
Monday, 18 May 2020
The world turned upside down II
Wednesday, 29 April 2020
Futility
Thursday, 19 March 2020
Art helps, it really does
Tuesday, 14 January 2020
If... ...McGonagall made music - The album
The album consists of ten tracks and has been released on SoundCloud track by track over the last few months with the final track ‘Silvery Tay’ being the last release. It is also available to purchase as a download, on a pay what you feel able to basis.
First and foremost I'm an artist and I approach composing in a similar way to my art. Well, actually music is just another artistic strand. Music composing for me is a process very much like collage.I hope I've made it challenging, so it'll never have popular appeal, but I don't really care about that. If some people like it well that's good, if people don't like it well that's fair enough too.
My music doesn’t fit into any one particular genre. Loosely speaking it’s a mix of ambient and up tempo avant garde, but it contains quite a lot of emotions and influences, so that categorising it is difficult. Which is how I like it.

































